At Catapult, Porochista Khakpour reflects on her desire to write — about anything other than being Iranian-America. Deeply conflicted about speaking from her perspective as an Iranian-American, she says, “Remind yourself that when the performance is honest two things happen: The essay will feel like it’s killing you and the ending will not be what you thought it might be. Learn to respect more than resent those parallel planes of living and the rendering of living.”
Begin by writing about anything else. Go to the public library in your Los Angeles suburb and ask for all the great books people in New York City read, please. Wonder if the reference librarian knows a living writer and ask her what would a living writer read—and an American one, please. When she realizes you are still single digits and asks, Where are your parents, young lady? don’t answer and demand Shakespeare and take that big book home and cry because you can’t understand it. Tomorrow, go back to reading the dictionary a letter at a time and cry because you can’t learn the words. (Ask your father if you will cry daily for the rest of your life and remember his answer decades later: When you are older you will care less about things.) Pray to a god you still believe in that you will once more avoid ESL with all its teachers who look to you with the shine of love but the stench of pity: refugee, resident alien, political asylum, immigrant, foreigner the only words you know that you don’t want to know.
Write about it and make sure you keep writing about it. Plan out three more books and call it the end; each and every one is about Iranian-America. Write all the secrets like every essay is a suicide note: one that reveals your Zoroastrian name is a fraud and you are a Muslim and watch everyone applaud it, from all sorts of people online to your own father who gave you your name. Wonder if anyone is reading properly. Put “Iranian American refugee” in your Twitter profile, the way all the other refugees are doing. Question if this is empowering. Imagine you’ve been throwing yourself off a cliff every time you’ve been writing, but it’s hard to know if you are killing yourself or trying to fly. Wonder if a cliché like that is all you’ve got. Wonder if the death you’ve been imagining is just you becoming a bad writer.