It must be said that no history of women’s contributions to music was being taught. There were no special university courses. There were no books or magazines in the library. Obviously there was no internet. Any piece of information about a woman playing music was most likely found in a bin in a used record store. The radio “rule” was no more than two female singers in a row. This held true even for the earth-shattering FM format, which blasted great music to hungry minds barely weaned off transistor radios. (When my mother was a cleaning lady for a small radio station in the American Midwest, she used to save all of the demo 45s for me that had been thrown away. Most of these records were by women: the band Fanny, country singer Skeeter Davis, Aretha Franklin’s sister, Erma, singing “Piece of My Heart.”) But even among leftists there was an assumption that women weren’t making music. In 1981, when I went on the air with Rubymusic, a radio show specializing in this very subject, even my radical (and very supportive) radio station, Vancouver Co-operative Radio, was concerned that I might not be able to find enough music by women to fill half an hour every week.
– At Geistmagazine, Connie Kuhns tells how revolutionary female musicians built up Vancouver, British Columbia’s underground music culture in the 1970s. The story was a finalist for a National Magazine Award in 2015.